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Julien Segard’s (b. 1980) work explores the severe edges perpetuated by urban structures, free flowing contours of nature’s invasion into these structures and the shared intimacy that grow into each other’s spaces and claim each as their own. In recognizing characteristic paradoxes in the field of view through his work, Segard reveals glaring blind-spots in our vision of the landscape and builds a thread of connections through works on paper and paintings. Much like portraits of a city, the slivers of roads, underpasses and flyovers that populate Segard’s work stand as evidence of a possible life in the wastelands of a megacity.
For the “lessons” or whatever you get from experimental discourse to be useful, it helps to think of the prime movers in the first pass, at the integers not the fractions — and to establish new terms. Blot. Each brain is private. Blot. Each publication is a bridge. Blot. New terms, new bridges. Blot. Wrestle with paradox. Blot. Know waxing ideologies to waning ideologies, tell the tale. Blot. Overlap your transparencies to new image and color. Blot. We thank you for your support. Blot.
Wendy Pain
Kristian McFarce
Francis Whatsler
Robert Wackman
Mattia Battia
Charles Swann
Hepzibah Pyncheon
Alice Pyncheon
Bathilde Amédée
Robert de Saint-Loup
Odette de Crécy
Cory Dollanganger
Carrie Dollanganger
Axel Heyst
Lena Sourabaya
Vladimir Cincinnatus